Navneet Nishan provides wonderful relief. However, her expressions towards the latter stages of the story are commendable. But the girl needs to polish her diction and of course, needs voice training. Sandali looks pretty throughout and does well in several sequences.
Not once do you feel his absence throughout the first half, although his work is limited to a handful of sequences. Rakesh has a brief role, but the boy has a charming personality. Not only does he fit the role, his performance is equally zestful. He enters just when the Priyanshu-Sandali track is about to stagnate and must say, Himanshu does a first-rate job. Himanshu Malik's entry in the film is appropriate. His expressions, especially in the emotional scenes, spring a surprise. Footage-wise, Priyanshu has the meatier role and he performs it with utmost sincerity. In a nutshell, the film needs to be trimmed to improve the pace of the goings-on.Īs stated above, the three lead players more than live up to the expectations and deliver almost flawless performances. Also, Priyanshu's accident in the climax adds to the length and gives it a predictable look. Moreover, the lengthy scene between Vikram Gokhale and Sandali in the end should be trimmed. The film could've done without this track definitely.
The re-emergence of the cop in the pre-climax catches the viewer unaware. The speech that ensues does not clearly indicate whether Priyanshu is condemning or approving this alliance. To cite an instance, a rift occurs when Priyanshu expresses his feelings at the Board meeting when the company is about to merge with Himanshu's company. How one wishes a few issues were sorted out in a simplified manner. The screenplay is not cohesive to keep the viewer's interest alive. Also, it has a classy look at most times, which will mainly appeal to the elite. The film tests the patience of the viewer in certain scenes, thanks to its tempo. If the story penned by Sinha is novel, his story telling should've been fast-paced. The film is slow-paced and moves at a leisurely pace throughout. For, the emotional sequences strike a chord with the cinegoer. Even otherwise, the mature strokes of a director are visible in his very first attempt. At least five songs stand out for the melody and their vivid picturisation ? 'Tumhare Siva', 'Zoom Boom Bura', 'Chhoti Chhoti Raatein', the Jagjit Singh-rendered 'Koi Fariyaad' (which has a haunting tune!) and Stereo Nation's 'Thoda Daru Vich Pyar Milade'.Īs a first-timer, director Anubhav Sinha succeeds in giving the film that certain sheen, which is comparable to any big-budget film that stars known names. The songs are ear pleasing, the picturisation is eye-filling and of course, they have been aggressively promoted by the producers. The three heroes essay their characters in the vein of accomplished performers. You don't expect the moon from them, but you get more than you could've ever imagined. The new faces come without the baggage of a fixed image, which is an asset for a theme like this. The film will be discussed also for its aesthetic appeal. The visuals captured by the cinematographer are stunning. The film boasts of a fresh look, thanks to the fresh faces and the unexplored locales of Canada. The emotional moments in the film are heart-rending, especially those when Priyanshu interacts with the family members. It moves you on various levels, but has its share of snags as well. TUM BIN is one of those love stories that has dollops of emotions.
Over the course of time Sandali’s character Pia develops feelings for Shekhar.The basic idea has shades of the Rajesh Khanna-Meena Kumari hit DUSHMAN in this case, the difference being, the hero (Priyanshu) flies all the way to Canada to admit his mistake to the family of the deceased (Rakesh). Post his death, a stranger, Shekhar Malhotra, claiming to be an individual whom Amar had offered a job to proposes to help the family rebuild their empire. Interestingly in the first part, Tum Bin, Sandali played Pia, a role similar to that of Neha’s in Tum Bin 2 where in her husband Amar, a flourishing industrialist is killed in a freak accident. Revealed: Sandali Sinha does a cameo in Tum Bin 2 Here an unknown woman played by Sandali Sinha comes to console her saying, when you are upset you should cry and let it out.
#Tum bin 2 full movie review series
Following Amar’s death, Taran (Neha Sharma) breaks down, and in a distraught series of sobs, heads to a temple. In fact, the sequence in question is after Aashim Gulati’s character Amar dies in skiing accident. While details of the film have been revealed a long time back, we got to know that Sandali Sinha, who featured as the lead actress in the first film Tum Bin will be seen doing a cameo in Tum Bin 2. This week we see the release of the second instalment in the Tum Bin franchise.
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